Текст песни Miles Davis - This is Jazz
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В 1949 году Miles Davis организовал совместно с пианистом Tadd Dameron новый коллектив, выступивший на фестивале в Париже в мае того же года. Творческий прогресс трубача был сильно замедлен пристрастием к героину, особенно сильным в начале 50-х годов. После серии спорадических записей и выступлений, в январе 1951 года он начал более стабильную работу на лэйбле Prestige, продолжавшуюся несколько лет. Сильное впечатление произвело его исполнение "Round Midnight" на Newport Jazz Festival в июле 1955 года. Последовавший престижный контракт с Columbia заставил Miles Davis собрать новый бэнд, на этот раз квинтет, с саксофонистом John Coltrane, пианистом Red Garland, басистом Paul Chambers и ударником Philly Joe Jones. Весь год Miles Davis пришлось много работать по обоим контрактам, в результате чего появились "The New Miles Davis Quintet", "Cookin", "Workin"', "Relaxin" и "Steamin''. В мае 1957 года Miles Davis вновь сотрудничает с Билом Эвансом на своем втором диске для Columbia, Miles Ahead. Он играет здесь на флюгепьгорне, развивая идеи "Birth of the Cool" в почти академическом ключе. Изданный в 1958 году, этот альбом позже вошел в Grammy Hall of Fame. В декабре 1957 году Miles Davis вновь в Париже, где он записывает музыку для фильма Луи Маля "L'Ascenseur pour I'Echafaud" ("Лифт на эшафот"). Jazz Track, альбом с музыкой к этому фильму, принес ему в 1960 году номинации на Грэмми за лучшее джазовое выступление, лучшее соло и лучшее комбо Davis, son of Dr. Miles Dewey Davis Jr. and music teacher Cleota Mae (Henry) Davis, grew up in a black middle-class family in St. Louis, where the family moved shortly after his birth. He became interested in music as a child, and from the age of 12 he learned to play the trumpet. While still in high school, he played in local bars, and at the age of 16 he gave concerts outside the city where he lived. At 17 he became a member of Eddie Randle's Blue Devils. His star lit up in 1944 when he was invited to Billy Eckstine's big band, which toured St. Louis. The band was then played by trumpeter Dizzy Gillespie and saxophonist Charlie Parker, creators of the bebop style, which was distinguished by fast and inventive solo parts, as well as dynamic rhythmic variations. Surprisingly, Miles Davis blended very well with their company, although his slow, stringy style was never able to compete with such speeds. However, bebop was a completely new style, and Miles Davis had no choice but to play it. He did this until he left the Midwest for New York in September 1944 to study at the Institute of Musical Art (better known as Juilliard). He soon played in clubs with Parker, and in 1945 abandoned the idea of obtaining an academic education in favor of a career as a practicing jazz musician. He joined Benny Carter, with whom he made his first recordings. In 1946-1947 he played with Eckstine, in 1947-1948 - with Parker. In 1947, he made his first recording as the leader of the group, where Parker, pianist John Lewis, bassist Nelson Boyd and drummer Max Roach played with him. In the summer of 1948 he organized a nonet with an unusual brass section. In addition to himself, it included alto and baritone Saxons, trombone, French horn and tuba. In September, this nonet played for two weeks at the Royal Roost in New York, based on arrangements by Bill Evans. After signing a contract with Capitol, in January 1949, this nonet recorded the first of three sessions, which initially did not attract widespread attention. However, the strange, relaxed sound of the band featuring Kai Winding, Lee Konitz, Gerry Mulligan, John Lewis, J J. Johnson and Kenny Clarke had a big impact on the development of cool jazz on the West Coast. In February 1957, Blue Note put all of these recordings together on a disc called Birth of the Cool.
In 1949, Miles Davis formed a new band with pianist Tadd Dameron, which performed at the Paris Festival in May of the same year. The creative progress of the trumpet player was greatly slowed down by the addiction to heroin, especially strong in the early 50s. After a series of sporadic recordings and performances, in January 1951 he began a more stable career with Prestige, which continued for several years. He was impressed by his performance of "Round Midnight" at the Newport Jazz Festival in July 1955. The prestigious Columbia deal that followed prompted Miles Davis to form a new band, this time a quintet, with saxophonist John Coltrane, pianist Red Garland, bassist Paul Chambers and drummer Philly Joe Jones. Throughout the year, Miles Davis had to work hard on both contracts, resulting in "The New Miles Davis Quintet", "Cookin", "Workin" ', "Relaxin" and "Steamin". In May 1957, Miles Davis again collaborated with Bill Evans on his second disc for Columbia, Miles Ahead. He plays here on the Flugeporn Horn, developing the idea of "Birth of the Cool" in an almost academic way. Published in 1958, this album later entered the Grammy Hall of Fame. In December 1957 Miles Davis returns to Paris, where he records the music for Louis Malle's film L'Ascenseur pour I'Echafaud (Lift to the scaffold). Jazz Track, the album with the music for this film, earned him a 1960 Grammy nomination for best jazz performance, best solo and best combo
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